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This section contains the programs of the different performances and public or private acts that took place in the theatre. Its nature is very diverse, including from seasons of concerts, through various social events, series of lyrical recitals, several seasons of ballet and opera, to the programs of the Francesc Viñas International Singing Competition.

Its historical value spans beyond the musical and artistic fact. Some of the programs were made with remarkable typographic and artistic care. Before 1936, the programs of the opera seasons used to reproduce illustrations by leading artists from the country, such as Emili Grau Sala or Jaume Pahissa. Among the many unique events, the programs of the Wagner Festivals of 1913, the performances of the Ballets Russes of Serge Diaghilev, or the coming of the company of Bayreuth in 1954 must be mentioned.

The programs replaced the librettos, from the moment it stopped making sense to follow the opera during the performances in the room in the dark. It is in this moment when the program became a first-class gallery to follow the most important singers and directors of orchestra passing through the G T. del Liceu during the 20th century.

The series of symphonic concerts are very important: the Lent concerts, organized by the theatre, or the concerts of the Orchestra Pau Casals. Thanks to its activity, great composers and directors passed through the theatre: I. Stravinsky, R. Strauss, M. de Falla, F. Weingartner, among many others. The programs of unique performances are also noteworthy, such as the premiere of L’Atlàntida by M. de Falla, directed by E. Toldrà, the premieres of Catalan operas –R. Lamote de Grignon, Montsalvatge, Altisent, Balada, Soler, Mestres-Quadreny, Guinjoan, among others–, or the Valencian Matilde Salvador.

We highlight the programs and librettos that, promoted by the Wagnerian Association, reproduced, in the first decades of the 20th century, the text sung in Catalan not only of works by Wagner, but by other European composers.

The programs, which have been digitized in its totality, are more than a chronicle of musical activity. They reflect the social and economic life of the country, through ads, music reviews and analysis aimed at the public. For a few years, a section of the programs also included the daily microhistory of the theatre, it was a collection of anecdotes reporting events from the last performance. It is reproduced, in this case, the copy of the program of the first performance of a play –which was usually the same every day–, and then there have been added only the pages of “Anecdotes”, that were made from scratch at each performance.
There have been included, as long as they are preserved, the loose sheets indicating changes in a specific performance. The collections will increase as soon as the data processing is completed.

Programs of the opera performance

Record 1 to 2 from 2  Milhaud, Darius

Order by:   Title   |   Author  |  Date ascendent  descendent  

  Les tentations de la Bergère o El triunfo del amor ; Carnaval ; Le train bleu ; Cleopatra

Montéclair, Michel de
Schumann, Robert
Milhaud, Darius
Arensky, Anton Stepanovich
Diàguilev, Serguei Pàvlovitx
Societat del Gran Teatre del Liceu
Ballets Russes

Date: 1925
Description: 1 volum
Series: Temporada de primavera de 1925
Note: Empresa: Juan Mestres Calvet
Note: Les tentations de la Bergère o El triunfo del amor / Monteclair ; Carnaval / Schumann ; Le train bleu / Darius Milhaud ; Cleopatra / A. Arensky
Abstract: De cada obra s'ha digitalitzat un programa sencer. De la resta s'han digitalitzat les parts que són diferents.
Language: castellà
Descriptors: Ballet ; Programes de mà
Collection: Programs of the opera performance

  Temporada de opera 1974-75

Beethoven, Ludwig van
Bizet, Georges
Bretón y Hernández, Tomás
Donizetti, Gaetano
Halévy, Fromental
Massenet, Jules
Mozart, Wolfgang Amadeus
Ponchielli, Amilcare
Puccini, Giacomo
Rossini, Gioachino
Strauss, Richard
Verdi, Giuseppe
Wagner, Richard
Milhaud, Darius
Guadagno, Anton
Camozzo, Adolfo
Danon, Oskar
Ethuin, Paul
Pérez Busquier, Gerardo
Aragall, Jaume
Caballé, Montserrat
Societat del Gran Teatre del Liceu
Gran Teatre del Liceu. Ballet
Cor del Gran Teatre del Liceu
Orquestra del Gran Teatre del Liceu
Orfeó Atlàntida

Date: 1974
Description: 1 volum il.
Series: Temporada 1974-1975
Note: Programa de la Temporada d’Òpera 1974-1975. Es va produir l’estrena a Espanya de “Billy Budd” de B. Britten i “La playa de Falesa” d’A. Hoddinott, i s’hi van interpretar “Fidelio” de L. V. Beethoven, “Carmen” de G. Bizet, “La Dolores” de T. Breton, “Anna Bolena” i “Don Pasquale” de G. Donizetti, “La Juive” de F. Halévy, “Manon” de J. Massenet, “Don Giovanni” de W. A. Mozart, “La Gioconda” d’A. Ponchielli”, “Tosca” de G. Puccini, “Guillem Tell” de G. Rossini, “Elektra” de R. Strauss, “Falstaff”, “La forza del destino”, “Macbeth”, “Otello” i “I vespri siciliani” de G. Verdi, “Siegfried” de R. Wagner i el ballet “La creació del món” de D. Milhaud. Durant aquesta temporada van dirigir l’Orquestra del Gran Teatre del Liceu R. Armstrong, A. Camozzo, O. Danon, P. Ethuin, F. Ferraris, A. Guadagno, H. Handt, G. Masini, G. Pérez Busquier, E. Queler, L. Romansky, I. Savini, G. Sebastian, N. Verchi i O. Ziino. Entre els cantants que hi van participar hi ha M. Caballé, G. M. Bumbry, E. Obraztsova, J. Aragall, P. Domingo, A. Borràs i J. Pons. El Cos de Dansa del Gran Teatre del Liceu va ser dirigit per J. Magrinyà i va comptar amb A. Aguadé i A. Rovira com a ballarins estrelles. També hi va participar el Cor del Gran Teatre del Liceu, el Cor de la Welsh National Opera i l’Orfeó Atlàntida
Abstract: De cada obra s'ha digitalitzat un programa sencer. De la resta s'han digitalitzat les parts que són diferents.
Language: castellà
Descriptors: Òpera ; Programes de mà
Collection: Programs of the opera performance
Work details: Fidelio ;  Carmen ;  DoloresAnna BolenaBilly Budd ;  Don Pasquale ;  Manon I Vespri siciliani