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This section contains the programs of the different performances and public or private acts that took place in the theatre. Its nature is very diverse, including from seasons of concerts, through various social events, series of lyrical recitals, several seasons of ballet and opera, to the programs of the Francesc Viñas International Singing Competition.

Its historical value spans beyond the musical and artistic fact. Some of the programs were made with remarkable typographic and artistic care. Before 1936, the programs of the opera seasons used to reproduce illustrations by leading artists from the country, such as Emili Grau Sala or Jaume Pahissa. Among the many unique events, the programs of the Wagner Festivals of 1913, the performances of the Ballets Russes of Serge Diaghilev, or the coming of the company of Bayreuth in 1954 must be mentioned.

The programs replaced the librettos, from the moment it stopped making sense to follow the opera during the performances in the room in the dark. It is in this moment when the program became a first-class gallery to follow the most important singers and directors of orchestra passing through the G T. del Liceu during the 20th century.

The series of symphonic concerts are very important: the Lent concerts, organized by the theatre, or the concerts of the Orchestra Pau Casals. Thanks to its activity, great composers and directors passed through the theatre: I. Stravinsky, R. Strauss, M. de Falla, F. Weingartner, among many others. The programs of unique performances are also noteworthy, such as the premiere of L’Atlàntida by M. de Falla, directed by E. Toldrà, the premieres of Catalan operas –R. Lamote de Grignon, Montsalvatge, Altisent, Balada, Soler, Mestres-Quadreny, Guinjoan, among others–, or the Valencian Matilde Salvador.

We highlight the programs and librettos that, promoted by the Wagnerian Association, reproduced, in the first decades of the 20th century, the text sung in Catalan not only of works by Wagner, but by other European composers.

The programs, which have been digitized in its totality, are more than a chronicle of musical activity. They reflect the social and economic life of the country, through ads, music reviews and analysis aimed at the public. For a few years, a section of the programs also included the daily microhistory of the theatre, it was a collection of anecdotes reporting events from the last performance. It is reproduced, in this case, the copy of the program of the first performance of a play –which was usually the same every day–, and then there have been added only the pages of “Anecdotes”, that were made from scratch at each performance.
There have been included, as long as they are preserved, the loose sheets indicating changes in a specific performance. The collections will increase as soon as the data processing is completed.

Programs of the opera performance

Record 1 to 3 from 3  Burt, Francis

Order by:   Title   |   Author  |  Date ascendent  descendent  



  Temporada coreográfica primavera 1974

Roussel, Albert
Parlic, Dimitri
Minkus, Ludwig
Petipa, Marius
Borodin, Aleksander Porfirievitx
Fokine Michel
Pamias, Juan A.
Miladinovic, Dusan
Burt, Francis
Sepic, Stanko
Prelie, Anica
Societat del Gran Teatre del Liceu
Orquestra del Gran Teatre del Liceu
Balet Narodno Pozoriste (Belgrad)
Pamias, Juan A.

Date: 1974
Description: 1 volum il.
Series: Temporada primavera 1974
Note: Empresa Juan A. Pamias
Note: Orquestra del Gran Teatre del Liceu dirigida per Dusan Miladinovic
Note: Bacchus et Arianne : Música d'Albert Roussel, coreografia de Dimitri Parlic ; Golem : Música de Francis Burt, coreografia de Dimitri Parlic ; Don Quijote (paso a dos) : Música de Ludwig Minkus, coreografia de M. Petipa ; Danzas Polovtsianas de el Príncipe Igor : música d'Alexander Borodin, coreografia de Michel Fokine, adaptada per Anica Prelie
Abstract: De cada obra s'ha digitalitzat un programa sencer. De la resta s'han digitalitzat les parts que són diferents.
Language: castellà
Descriptors: Ballet ; Programes de mà
Collection: Programs of the opera performance
Work details: Bacchus et Ariane ;  Der Golem ;  Don QuijotePrince Igor




  Temporada coreográfica primavera 1974

Bizet, Georges
Parlic, Dimitri
Burt, Francis
Txaikovski, Piotr Ilitx
Petipa, Marius
Borodin, Aleksander Porfirievitx
Fokine Michel
Prelie, Anica
Pamias, Juan A.
Miladinovic, Dusan
Sepic, Stanko
Societat del Gran Teatre del Liceu
Orquestra del Gran Teatre del Liceu
Balet Narodno Pozoriste (Belgrad)
Pamias, Juan A.

Date: 1974
Description: 1 volum il.
Series: Temporada primavera 1974
Note: Empresa Juan A. Pamias
Note: Orquestra del Gran Teatre del Liceu dirigida per Dusan Miladinovic i Stanko Sepic
Note: Sinfonia en do : Música de Georges Bizet, coreografia de Dimitri Parlic ; Golem : Música de Francis Burt, coreografia de Dimitri Parlic ; El cisne negro (paso a dos) : Música de Txaikovski, coreografia de M. Petipa ; Danzas Polovtsianas de El prícipe Igor : Música d'Alexander Borodin, coreografia de Michel Fokine, adaptada per Anica Prelie
Abstract: De cada obra s'ha digitalitzat un programa sencer. De la resta s'han digitalitzat les parts que són diferents.
Language: castellà
Descriptors: Ballet ; Programes de mà
Collection: Programs of the opera performance
Work details: Simfonies, do major ;  Der Golem ;  Lebedínoye óziero (El Llac dels cignes)Prince Igor




  Temporada coreográfica primavera 1974

Schredin, Rodion
Parlic, Dimitri
Burt, Francis
Roussel, Albert
Bizet, Georges
Borodin, Aleksander Porfirievitx
Minkus, Ludwig
Txaikovski, Piotr Ilitx
Prokofiev, Sergei
Walter, Erich
Stravinsky, Igor
Balanchine, George
Schubert, Franz
Debussy, Claude
Adam, Adolphe
Mazalova, Ruzena
Bartók, Béla
Fokine, Michel
Ravel, Maurice
Miladinovic, Dusan
Schaub, Robert
Societat del Gran Teatre del Liceu
Ballett am Rhein
Balet Narodno Pozoriste (Belgrad)

Date: 1974
Description: 1 volum il.
Series: Temporada de primavera 1974
Note: Programa de la Temporada coreogràfica de la primavera de 1974. El Ballet del Teatre Nacional de Belgrad era dirigit per M. Jovanovic, el director d’orquestra va ser D. Miladinovic i el pianista acompanyant fou M. Zamurovic. Van estrenar “Ana Karenina”, amb música de R. Schredin, “Golem”, amb música de F. Burt i “Bacchus et Arianne” amb música d’A. Roussel. D. Parlic va ser el coreògraf de totes elles. També es van representar “Simfonia en do” amb música de G. Bizet i coreografia de D. Parlic, “Danses Polovtsianes d’El príncep Ígor” amb música d’A. Borodin i coreografia de M. Fokine adaptada per Anica Prelie, i passos a dos de “Don Quixote” amb música de L. Minkus, “El llac dels cignes” i “El trencanous” amb música de P. I. Txaikovski
Note: El Ballet del Teatre de l’òpera alemanya del Rhin estava dirigit per E. Walter, que també n’era coreògraf. L’orquestra va ser dirigida per R. Schaub, R. Kubik i A. Quennet i els pianistes W. Riddlespurger i A. Roth-Schutzbach. Van estrenar una nova versió de “Romeo i Julieta” amb música de S. Prokofiev i coreografia d’E. Walter, “Apollon Musagette” amb música d’I. Stravinsky i coreografia de G. Balanchine, “La mort i la donzella” amb música de F. Schubert i coreografia d’E. Walter, i “Jeux”, amb música de C. Debussy i coreografia d’E. Walter. També van dansar les reposicions de “Giselle” amb música d’Adolphe Adam amb coreografia de R. Mazalova i E. Walter, “El mandarí meravellós” amb música de Bela Bartók i coreografia d’E. Walter, i “Daphnis et Chloe” amb música de M. Ravel i coreografia d’E. Walter
Language: castellà
Descriptors: Ballet ; Programes de mà
Collection: Programs of the opera performance
Work details: Anna Karènina ;  Der Golem ;  Bacchus et Ariane