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This section contains the programs of the different performances and public or private acts that took place in the theatre. Its nature is very diverse, including from seasons of concerts, through various social events, series of lyrical recitals, several seasons of ballet and opera, to the programs of the Francesc Viñas International Singing Competition.

Its historical value spans beyond the musical and artistic fact. Some of the programs were made with remarkable typographic and artistic care. Before 1936, the programs of the opera seasons used to reproduce illustrations by leading artists from the country, such as Emili Grau Sala or Jaume Pahissa. Among the many unique events, the programs of the Wagner Festivals of 1913, the performances of the Ballets Russes of Serge Diaghilev, or the coming of the company of Bayreuth in 1954 must be mentioned.

The programs replaced the librettos, from the moment it stopped making sense to follow the opera during the performances in the room in the dark. It is in this moment when the program became a first-class gallery to follow the most important singers and directors of orchestra passing through the G T. del Liceu during the 20th century.

The series of symphonic concerts are very important: the Lent concerts, organized by the theatre, or the concerts of the Orchestra Pau Casals. Thanks to its activity, great composers and directors passed through the theatre: I. Stravinsky, R. Strauss, M. de Falla, F. Weingartner, among many others. The programs of unique performances are also noteworthy, such as the premiere of L’Atlàntida by M. de Falla, directed by E. Toldrà, the premieres of Catalan operas –R. Lamote de Grignon, Montsalvatge, Altisent, Balada, Soler, Mestres-Quadreny, Guinjoan, among others–, or the Valencian Matilde Salvador.

We highlight the programs and librettos that, promoted by the Wagnerian Association, reproduced, in the first decades of the 20th century, the text sung in Catalan not only of works by Wagner, but by other European composers.

The programs, which have been digitized in its totality, are more than a chronicle of musical activity. They reflect the social and economic life of the country, through ads, music reviews and analysis aimed at the public. For a few years, a section of the programs also included the daily microhistory of the theatre, it was a collection of anecdotes reporting events from the last performance. It is reproduced, in this case, the copy of the program of the first performance of a play –which was usually the same every day–, and then there have been added only the pages of “Anecdotes”, that were made from scratch at each performance.
There have been included, as long as they are preserved, the loose sheets indicating changes in a specific performance. The collections will increase as soon as the data processing is completed.

Programs of the opera performance

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  Temporada de Primavera 1975

Puccini, Giacomo
Béjart, Maurice
Mahler, Gustav
Boulez, Pierre
Mozart, Wolfgang Amadeus
Stravinsky, Igor
Ravel, Maurice
Barbier, Guy
Cillario, Carlo Felice
Masini, Gianfranco
Sardinero, Vicens
Domingo, Plácido
Béjart, Maurice
Aragall, Jaume
Caballé, Montserrat
Pérez Busquier, Gerardo
Pons, Joan
Societat del Gran Teatre del Liceu
Ballet du XXe siècle (Bèlgica)

Date: 1975
Description: 1 volum il.
Series: Temporada de primavera 1975
Note: Orquestra del Gran Teatre del Liceu dirigida per C. F. Cilliario, P. Domingo, G. Morelli, G. Pérez Busquier, G. Masini i G. Barbier
Note: Programa de la Temporada de primavera de 1975 en que es va produir el Festival Puccini del 14 al 23 de març i el Festival Coreogràfic amb el Ballet du XXème siècle. Durant el Festival Puccini es va interpretar “Tosca”, “La Bohème”, “Madama Butterfly” i es va fer un concert extraordinari d’obres puccinianes amb Montserrat Caballé, en què es van sentir fragments de “Gianni Schicchi”, “La Rondine”, “Manon Lescaut”, “Turandot”, “Madama Butterfly i “Tosca”, i es van estrenar el “Capriccio Sinfonico” en l’àmbit estatal i el “Preludio sinfonico” en el mundial. Entre els cantants que hi van participar es troben J. Aragall, J. Pons, M. Caballé, P. Domingo i V. Sardinero
Note: El Festival Coreogràfic va comptar amb les actuacions del Ballet du XXème siècle, dirigit per M. Bejart. Van estrenar “Golestan” amb música tradicional iraniana, “Ce que l’amour me dit” amb música de G. Mahler, “Le marteau sans maître” i “Tombeau” amb música de P. Boulez i “Seraphita” amb música de W. A. Mozart, totes elles coreografiades per M. Béjart. També van interpretar les reposicions de “Le sacre du printemps” i “L’oiseau de feu” amb música d’I. Stravinsky i “Bolero” amb música de M. Ravel, també coreografiades per M. Béjart. En tots els casos l’Orquestra va ser la del Gran Teatre del Liceu dirigida per C. F. Cilliario, P. Domingo, G. Morelli, G. Pérez Busquier, G. Masini i G. Barbier
Abstract: De cada obra s'ha digitalitzat un programa sencer. De la resta s'han digitalitzat les parts que són diferents.
Language: castellà
Descriptors: Òpera ; Programes de mà ; Ballet ; Esdeveniments especials
Collection: Programs of the opera performance
Work details: Le Marteau sans maître ;  Ce que l'amour me dit ;  GolestanTombeauSeraphita ;  Le sacre du printemps ;  L'oiseau de feu Bolero