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This section contains the programs of the different performances and public or private acts that took place in the theatre. Its nature is very diverse, including from seasons of concerts, through various social events, series of lyrical recitals, several seasons of ballet and opera, to the programs of the Francesc Viñas International Singing Competition.

Its historical value spans beyond the musical and artistic fact. Some of the programs were made with remarkable typographic and artistic care. Before 1936, the programs of the opera seasons used to reproduce illustrations by leading artists from the country, such as Emili Grau Sala or Jaume Pahissa. Among the many unique events, the programs of the Wagner Festivals of 1913, the performances of the Ballets Russes of Serge Diaghilev, or the coming of the company of Bayreuth in 1954 must be mentioned.

The programs replaced the librettos, from the moment it stopped making sense to follow the opera during the performances in the room in the dark. It is in this moment when the program became a first-class gallery to follow the most important singers and directors of orchestra passing through the G T. del Liceu during the 20th century.

The series of symphonic concerts are very important: the Lent concerts, organized by the theatre, or the concerts of the Orchestra Pau Casals. Thanks to its activity, great composers and directors passed through the theatre: I. Stravinsky, R. Strauss, M. de Falla, F. Weingartner, among many others. The programs of unique performances are also noteworthy, such as the premiere of L’Atlàntida by M. de Falla, directed by E. Toldrà, the premieres of Catalan operas –R. Lamote de Grignon, Montsalvatge, Altisent, Balada, Soler, Mestres-Quadreny, Guinjoan, among others–, or the Valencian Matilde Salvador.

We highlight the programs and librettos that, promoted by the Wagnerian Association, reproduced, in the first decades of the 20th century, the text sung in Catalan not only of works by Wagner, but by other European composers.

The programs, which have been digitized in its totality, are more than a chronicle of musical activity. They reflect the social and economic life of the country, through ads, music reviews and analysis aimed at the public. For a few years, a section of the programs also included the daily microhistory of the theatre, it was a collection of anecdotes reporting events from the last performance. It is reproduced, in this case, the copy of the program of the first performance of a play –which was usually the same every day–, and then there have been added only the pages of “Anecdotes”, that were made from scratch at each performance.
There have been included, as long as they are preserved, the loose sheets indicating changes in a specific performance. The collections will increase as soon as the data processing is completed.

Programs of the opera performance

Record 1 to 3 from 3  Aubert, Louis

Order by:   Title   |   Author  |  Date ascendent  descendent  



  Sexto Concierto a cargo de la "Société des Concerts du Conservatoire" de Paris

Falla y Matheu, Manuel de
Berlioz, Hector
Beethoven, Ludwig van
Ravel, Maurice
Roussel, Albert
Aubert, Louis
Cluytens, André
Societat del Gran Teatre del Liceu
Orchestre de la Société des Concerts du Conservatoire

Date: 1951
Description: 1 volum
Series: Temporada de cuaresma 1951
Note: José F. Arquer
Note: Director: André Cluytens Orquestra: Société des concerts du conservatoire de Paris
Note: Carnaval Romano, obertura / Berlioz ; Septima sinfonia / Beethoven ; Ma mère l'Oye / Ravel ; Bachus et Ariadne / Roussel ; Le tombeau de Chateau-Brian / Louis Aubert ; El sombrero de tres picos, suite / M. Falla
Abstract: De cada obra s'ha digitalitzat un programa sencer. De la resta s'han digitalitzat les parts que són diferents.
Language: castellà
Descriptors: Concerts ; Programes de mà
Collection: Programs of the opera performance
Work details: El Sombrero de tres picos ;  Bacchus et Ariane ;  Le Carnaval romainSimfonies, núm. 8, op. 93, fa majorLe Tombeau de Chateaubriand ;  Ma mère l'Oye




  Cuarto concierto

Mozart, Wolfgang Amadeus
Bach, Johann Sebastian
Handel, George Frideric
Falla y Matheu, Manuel de
Aubert, Louis
Rodrigo, Joaquín
Ravel, Maurice
Annovazzi, Napoleone
Rubio, Consuelo
Suriñach, Carlos
Beethoven, Ludwig van
Mahler, Gustav
Societat del Gran Teatre del Liceu
Orquestra del Gran Teatre del Liceu

Date: 1950
Description: 1 volum
Series: Temporada de Cuaresma de 1950
Note: José F.Arquer
Note: Orquesta Sinfónica del Gran Teatro del Liceo ; director Carlos Suriñach
Note: Obertura y Aria "Voi che sapete" de Las Bodas de Fígaro, de Mozart ; Arias de La Pasión Según San Mateo, de Bach ; Aria "Caricias Amadas" de Alessandro, de Haendel ; Aria de Leonora de Fidelio, de Beethoven ; versión sinfónica de El Amor Brujo, de Falla ; Habanera, de Louis Aubert (estreno en España) ; los lieders "Alabanza de la alta inteligencia", "Quien se imaginó esta canción", "Tres ángeles cantan una dulce canción" y "Cansancio perdido" de Mahler (estreno en España) ; Alborada del Gracioso de Ravel
Abstract: De cada obra s'ha digitalitzat un programa sencer. De la resta s'han digitalitzat les parts que són diferents.
Language: castellà
Descriptors: Programes de mà ; Concerts
Collection: Programs of the opera performance
Work details: Le Nozze di Figaro ;  Fidelio ;  El Amor brujo




  Ocho grandes conciertos

Annovazzi, Napoleone
Balzer, Hugo
Bigot, Eugène
Konwitschny, Franz
Suriñach, Carlos
Aubert, Louis
Bach, Johann Sebastian
Beethoven, Ludwig van
Brahms, Johannes
Bruckner, Anton
Charpentier, Gustave
Chausson, Ernest
Chopin, Frédéric
Falla y Matheu, Manuel de
Dukas, Paul
Malcuzynski, Witold
Rubio, Consuelo
Societat del Gran Teatre del Liceu
Orquestra del Gran Teatre del Liceu
Orchestre Lamoureux

Date: 1950
Description: 15 p.
Series: Temporada de cuaresma 1950
Note: Empresa José F. Arquer
Note: Orquesta Sinfónica del Gran Teatro del Liceo; Orchestre Lamoureux; directors Napoleone Annovazzi; Hugo Balzer; Eugène Bigot; Franz Konwitschny; Carlos Suriñach
Note: Es van interpretar les següents obres: Habanera, de L. Aubert; la Suite en si menor i el Concert per a dos violins en re menor, de J. S. Bach; l'obertura Leonora núm. 2, i les simfonies núm. 2, 5 i 6 de L. v. Beethoven; les simfonies núm. 1 i 3 de J. Brahms; la Simfonia núm. 4 d'A. Bruckner; Napoli, de Impresiones de Italia, de G. Charpentier; la Simfonia en si bemoll d' E. Chausson; el Concert núm. 2 en fa menor, per a piano i orquestra, de F. Chopin; la suite de El sombrero de tres picos, de M. de Falla; La Peri, de P. Dukas; la Suite Francesa, de W. Egk; Pavane, Sicilienne i Fileuse, de G. Fauré; l'obertura de Le Roi d'Ys, i el Concert per a Violoncel, d'E. Lalo; l'obertura de Les Noces de Fígaro, de W. A. Mozart; Fantasia Vasca, de G. Pierné; La procesión nocturna, de H. Rabaud; el Concert núm. 3 per a piano i orquestra de S. Rachmaninoff; Alborada del gracioso, de M. Ravel; l'obertura de La Scala di seta, de G. Rossini; la Simfonia núm. 1 de J. Sibelius; l'obertura de La novia vendida, de B. Smetana; Don Juan, de R. Strauss; l'obertura de El buque fantasma, el preludi de Parsifal, els Encants del Divendres Sant de Parsifal, l'obertura de Rienzi i la Cabalgata de La Walkiria, de R. Wagner; l'obertura de Oberon i l'obertura de Der Freischutz, de C. M. v. Weber
Language: castellà
Descriptors: Programes de mà ; Concerts
Collection: Programs of the opera performance
Work details: Habanera ;  Fidelio ;  Simfonies, núm. 2, op. 36, re majorSimfonies, núm. 5, op. 67, do menorSimfonies, núm. 6, op. 68, fa major ;  Simfonies, núm. 1, op. 68, do menor ;  Simfonies, núm. 3, op. 90, fa major Simfonies, núm. 4, mi bemoll major