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This section contains the programs of the different performances and public or private acts that took place in the theatre. Its nature is very diverse, including from seasons of concerts, through various social events, series of lyrical recitals, several seasons of ballet and opera, to the programs of the Francesc Viñas International Singing Competition.

Its historical value spans beyond the musical and artistic fact. Some of the programs were made with remarkable typographic and artistic care. Before 1936, the programs of the opera seasons used to reproduce illustrations by leading artists from the country, such as Emili Grau Sala or Jaume Pahissa. Among the many unique events, the programs of the Wagner Festivals of 1913, the performances of the Ballets Russes of Serge Diaghilev, or the coming of the company of Bayreuth in 1954 must be mentioned.

The programs replaced the librettos, from the moment it stopped making sense to follow the opera during the performances in the room in the dark. It is in this moment when the program became a first-class gallery to follow the most important singers and directors of orchestra passing through the G T. del Liceu during the 20th century.

The series of symphonic concerts are very important: the Lent concerts, organized by the theatre, or the concerts of the Orchestra Pau Casals. Thanks to its activity, great composers and directors passed through the theatre: I. Stravinsky, R. Strauss, M. de Falla, F. Weingartner, among many others. The programs of unique performances are also noteworthy, such as the premiere of L’Atlàntida by M. de Falla, directed by E. Toldrà, the premieres of Catalan operas –R. Lamote de Grignon, Montsalvatge, Altisent, Balada, Soler, Mestres-Quadreny, Guinjoan, among others–, or the Valencian Matilde Salvador.

We highlight the programs and librettos that, promoted by the Wagnerian Association, reproduced, in the first decades of the 20th century, the text sung in Catalan not only of works by Wagner, but by other European composers.

The programs, which have been digitized in its totality, are more than a chronicle of musical activity. They reflect the social and economic life of the country, through ads, music reviews and analysis aimed at the public. For a few years, a section of the programs also included the daily microhistory of the theatre, it was a collection of anecdotes reporting events from the last performance. It is reproduced, in this case, the copy of the program of the first performance of a play –which was usually the same every day–, and then there have been added only the pages of “Anecdotes”, that were made from scratch at each performance.
There have been included, as long as they are preserved, the loose sheets indicating changes in a specific performance. The collections will increase as soon as the data processing is completed.

Programs of the opera performance

Record 1 to 1 from 1  Allan, Richard van

Order by:   Title   |   Author  |  Date ascendent  descendent  

  The Duenna

Gerhard, Robert
Allan, Richard van
Cooper, Sharon
Michaels-Moore, Anthony
Palmer, Felicity
Heilbron, Alfredo
Perdikidis, Denise
Rendall, David
Mason, Anne
Baquerizo, Enrique
Leggate, Robin
Comas, Antoni
Castillo, Adrià del
Alberdi, Begoña
Rogers, Philip
Ros Marbà, Antoni
Gandolfi, Romano
Societat del Gran Teatre del Liceu
Orquestra del Gran Teatre del Liceu
Cor del Gran Teatre del Liceu

Date: 1991
Description: 1 volum il.
Series: Temporada 1991-1992
Note: Orquestra Simfònica del Gran Teatre del Liceu, dirigida per Antoni Ros Marbà, i Cor del Gran Teatre del Liceu, dirigit per Romano Gandolfi
Note: Programa de mà de l'òpera The Duenna, de Robert Gerhard, la qual es representava per primera vegada al Liceu el febrer del 1992 i interpretada pels següents cantants: Richard van Allan (Don Jerome) ; Sharon Cooper (Doña Luisa) ; Anthony Michaels-Moore (Don Ferdinand) ; Felicity Palmer (Dueña) ; Alfredo Heilbron (López) ; Anne Mason (Doña Clara) ; Enrique Baquerizo (Don Isaac) ; Robin Leggate (Pare Paul) ; Antoni Comas i Adrià del Castillo (Germans del Pecat Mortal) ; Begoña Alberdi (Gitana) ; Philip Rogers (Criat). L'orquestra estava dirigida per Antoni Ros Marbà, i el cor per Romano Gandolfi
Language: català
Descriptors: Programes de mà ; Òpera
Collection: Programs of the opera performance
Work details: The Duenna